citrus_java (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
citrus_java) wrote2013-11-08 09:17 pm
citrus_java) wrote2013-11-08 09:17 pm
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Passion and Exhaustion in Current SPN (spoilers up tp 904)
I keep hearing that SPN is getting old, as if the characters are mostly as explored as they can get, no more stories to tell. I think that's very far from true, it's more about the writers losing attention and willingness to change, as well as forgetting way too much about the show's past.
One thing I miss about SPN canon, as well as most of the fic I've come across lately, is a strong desire. For anything. Nobody on the show seems hungry anymore, or rather, if they're hungry they're resigned or just quiet about it (even poor Cas).
Even most of the fic I've read lately didn't have that hunger (maybe it was just a coincident) - for love, for sex, for being OK, for safely, for not being left, etc. It was about other things, some of them interesting, like pain, foreboding, creepiness, gloominess, depression, tentative fun - but not so much hunger or desire.
I thought perhaps it was about missing first-time fic, but established relationship can be just as dramatic and interesting if not more. I imagine, no idea if it's true, that SPN has that much established relationship fic partial because at some point the utter wonder and newness that makes a lot of first-times work, was repeated so many times it lost its magic for a while, and established relationship fics became more interesting. Though I love that fandom has both these days, as well as other options.
Anyway - The most dramatic thing Dean needed this season, to save Sam's life - looks like he pretty much knew he would be able to, and that even if he failed, it'll be ok in some way. And going through almost losing Cas, and Cas being OK, right after what happened with Sam, and again right away with Charlie, empties it all of real fear, desperation, real hunger.
The thing is, it's cool that Dean lives in his reality, and doesn't keep believing it's a completely new thing every time. But wouldn't he, then, feel other things instead? Yeah, now he has money (we assume), a place to live, Sam probably wanting to stay, and more assurance than other people have that his loved ones and he himself will probably be ok(though IDK why Zeke wouldn't let Dean himself die, who knows) . But when people get what they want, it often influences them... Wanting to protect that new shiny thing (which may be where Dean is, but we hardly get to see it), missing even bad things from the past, now that they're gone - something. The writers hitting Dean exactly the same way as he dealt with so many times alread, seemingly with the half-expectation that it'll work as if it's new, may be the writers not living in the reality of the show.
Bu it doesn't have to be passion. A different angle on writing from a situation like this can be looking at exhaustion itself. Seems like Jensen is pretty burnt out, and the show is tired too. There can be fascinating, beautiful stories told about exhaustion. Sometimes it has to do with the one last thing a person will get emotional over before they collapse. Sometimes it has to do with subtlety, maturity, a less dramatic way of looking at things and feelings, even though they may still matter to the person just as much. Or finding out you don't actually want things you'd been pining over for so long, or fighting for (like in Amanda Palmer's In My Mind). Or finding out that you've made peace, or that wonder of wonders - real wonder - you're capable of still wanting something new after all of that time (Like in the beautiful Paladin of Souls). Or capable of being new, yourself.
It can be about actually going through mourning some of the things that have been done to you, or you've done to yourself or others. The Winchesters were so often faced with disaster after disaster, without really getting time to deal with it (except for a few rare situations), it could be interesting if suddenly they started having feelings about things they just now has the time and safety to deal with.
Even "smaller" tragedies, like Dean feeling sorrow for not being what Jo wanted from him before she died, or anger at Crowley for getting her killed, or being shaken from Baby being flipped and crashing, with hm inside her, or seemingly irrational anger at Sam for beating him up while he was possessed, so many other things. Mourning things that happened to him as a kid, he never even really looked at his relation with John, beyond scratching the surface here and there. So many things.
And the way dealing with that would make him act, would change the way he acts with Sam and Cas, and Kevin. He might start going out and sleeping with waitresses again, might take up some odd hobby he never allowed himself to try, might become more vulnerable over small things, yell more, less with his "everything's good" attitude - I don't know. But I'd like to see.
Or it can be about living with a disability, or with scars. Like, for Sam - when the world *isn't* really falling apart and you're *not* going through the trials expecting to die soon, you suddenly have to deal. Now is probably the first time Sam's had where he wasn't completely stricken with grief or fighting something huge, since the first episode - or perhaps since before Stanford, in a way. Sam had said some fascinating things, to me, about living with mental issues, hallucinations - I want to hear more. And see some of the less photogenic, more everyday aspects of it. (like not decorating - clearly that was about fear, perhaps it was anxiety he was hiding from Dean)
But it doesn't have be about living with disability.I'd love more development for Sam in general, there's so much inside that boy that so rarely gets expressed, and Jared could make it beautiful and interesting of he got enough of it, too. Sam has a lot to deal with. He was raped, probably repeatedly, he lost all his loved ones, and was left utterly alone and with no one who could even understand, a short while ago. He was raised into a dark, scary world, forced to stay, tried to run away & failed twice. Even his anger issues - very justifiable anger - haven't necessarily been resolved. And more and more...
Perhaps his feelings of being damaged and impure extend beyond demon blood, perhaps it's also about his guilt, helplessness, internalized self loathing, feeling he doesn't measure up, things like handling being tortured/raped - whatever he may still be going through. There is something there, judging by those held back, sad little faces he makes, even when he's good. And along with that, as he said, he does see a light at the end of the tunnel. And it sounded like (I really hope!) he wants to reach that light and have a life with Dean.
Though I believe a lot of it is about feeling he isn't good enough in Dean's eyes.
So, now that he *isn't* in any huge danger he is aware of, perhaps it'd be harder for him, cause he'd need to deal. Perhaps that's why he went through the trials so readily, and was so easily willing to die over them, repeatedly. Perhaps he feels so damaged that what he's good for is dying for something, at that point. Perhaps now, dealing with things like staying - moving in, too - is difficult in a whole different way. And perhaps if he's aware of that - which he is likely to become, being pretty sensitive about that sort of stuff perhaps he'd even think he's forcing his suspicions towards Dean, just to have something distracting to worry about.
One thing I miss about SPN canon, as well as most of the fic I've come across lately, is a strong desire. For anything. Nobody on the show seems hungry anymore, or rather, if they're hungry they're resigned or just quiet about it (even poor Cas).
Even most of the fic I've read lately didn't have that hunger (maybe it was just a coincident) - for love, for sex, for being OK, for safely, for not being left, etc. It was about other things, some of them interesting, like pain, foreboding, creepiness, gloominess, depression, tentative fun - but not so much hunger or desire.
I thought perhaps it was about missing first-time fic, but established relationship can be just as dramatic and interesting if not more. I imagine, no idea if it's true, that SPN has that much established relationship fic partial because at some point the utter wonder and newness that makes a lot of first-times work, was repeated so many times it lost its magic for a while, and established relationship fics became more interesting. Though I love that fandom has both these days, as well as other options.
Anyway - The most dramatic thing Dean needed this season, to save Sam's life - looks like he pretty much knew he would be able to, and that even if he failed, it'll be ok in some way. And going through almost losing Cas, and Cas being OK, right after what happened with Sam, and again right away with Charlie, empties it all of real fear, desperation, real hunger.
The thing is, it's cool that Dean lives in his reality, and doesn't keep believing it's a completely new thing every time. But wouldn't he, then, feel other things instead? Yeah, now he has money (we assume), a place to live, Sam probably wanting to stay, and more assurance than other people have that his loved ones and he himself will probably be ok
Bu it doesn't have to be passion. A different angle on writing from a situation like this can be looking at exhaustion itself. Seems like Jensen is pretty burnt out, and the show is tired too. There can be fascinating, beautiful stories told about exhaustion. Sometimes it has to do with the one last thing a person will get emotional over before they collapse. Sometimes it has to do with subtlety, maturity, a less dramatic way of looking at things and feelings, even though they may still matter to the person just as much. Or finding out you don't actually want things you'd been pining over for so long, or fighting for (like in Amanda Palmer's In My Mind). Or finding out that you've made peace, or that wonder of wonders - real wonder - you're capable of still wanting something new after all of that time (Like in the beautiful Paladin of Souls). Or capable of being new, yourself.
It can be about actually going through mourning some of the things that have been done to you, or you've done to yourself or others. The Winchesters were so often faced with disaster after disaster, without really getting time to deal with it (except for a few rare situations), it could be interesting if suddenly they started having feelings about things they just now has the time and safety to deal with.
Even "smaller" tragedies, like Dean feeling sorrow for not being what Jo wanted from him before she died, or anger at Crowley for getting her killed, or being shaken from Baby being flipped and crashing, with hm inside her, or seemingly irrational anger at Sam for beating him up while he was possessed, so many other things. Mourning things that happened to him as a kid, he never even really looked at his relation with John, beyond scratching the surface here and there. So many things.
And the way dealing with that would make him act, would change the way he acts with Sam and Cas, and Kevin. He might start going out and sleeping with waitresses again, might take up some odd hobby he never allowed himself to try, might become more vulnerable over small things, yell more, less with his "everything's good" attitude - I don't know. But I'd like to see.
Or it can be about living with a disability, or with scars. Like, for Sam - when the world *isn't* really falling apart and you're *not* going through the trials expecting to die soon, you suddenly have to deal. Now is probably the first time Sam's had where he wasn't completely stricken with grief or fighting something huge, since the first episode - or perhaps since before Stanford, in a way. Sam had said some fascinating things, to me, about living with mental issues, hallucinations - I want to hear more. And see some of the less photogenic, more everyday aspects of it. (like not decorating - clearly that was about fear, perhaps it was anxiety he was hiding from Dean)
But it doesn't have be about living with disability.
Perhaps his feelings of being damaged and impure extend beyond demon blood, perhaps it's also about his guilt, helplessness, internalized self loathing, feeling he doesn't measure up, things like handling being tortured/raped - whatever he may still be going through. There is something there, judging by those held back, sad little faces he makes, even when he's good. And along with that, as he said, he does see a light at the end of the tunnel. And it sounded like (I really hope!) he wants to reach that light and have a life with Dean.
Though I believe a lot of it is about feeling he isn't good enough in Dean's eyes.
So, now that he *isn't* in any huge danger he is aware of, perhaps it'd be harder for him, cause he'd need to deal. Perhaps that's why he went through the trials so readily, and was so easily willing to die over them, repeatedly. Perhaps he feels so damaged that what he's good for is dying for something, at that point. Perhaps now, dealing with things like staying - moving in, too - is difficult in a whole different way. And perhaps if he's aware of that - which he is likely to become, being pretty sensitive about that sort of stuff perhaps he'd even think he's forcing his suspicions towards Dean, just to have something distracting to worry about.
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In terms of *feeling* what's happening to the characters, I think the single biggest mistake the show ever made was devaluing death. I'm okay with the deaths of Sam and Dean at the end of S2 and S3 because the resurrections came with huge consequences. But that should have been it. No one else should ever have come back. We've seen so many resurrections now that death is a revolving door. And as much as I love "Dark Side of the Moon"--it would be on my list of all time favorite episodes--it set a bad precedent. Sam and Dean know they're going to Heaven when they die. Not in the way religious people know there's something better on the other side because they have faith, but in the way I know there's a grocery store on the corner because I've been there. That makes Sam and Dean different from every real human being who's ever lived. Death can't possibly be as dire for them as it is for us because they know for a fact they'll meet again. It makes them a little less human, and it makes the threat of death on the show less powerful to the viewer.
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Wow, really? I wouldn't trust the current writers to go for it, but I can imagine it being dealt with - even by the season 7 staff. Not as deeply and subtly as I'd have liked, but they sure dealt with Sam's insanity better than I guess most shows would have. I know I keep saying that to you, but of course they wouldn't write it as well as you would have, but I can see them writing it well. And Kripke... I don't get exactly how he/his team worked. I don't find Revolution nearly as interesting as hi SPN - and that may have to do with me needing time to find out what's awesome about the show, or the show needing time to find out what's awesome about it, or it just being about things I find less interesting, or Kripke being bad at writing (sure was on SPN, sorry) IDK, so many other possible things. B ut I wonder - he did say that in SPN he would imagine creative plots, and Singer would make him refocus on character development and emotions. Perhaps Singer is missing from Revolution?
Certainly too complicated for the stable of writers they've got now.
Honestly, though I'd like them to very much fire some of the writers, fast, I suspect a really good show runner could have made it work, could have fixed it. I've seen a script of Buffy, as written before Joss made a few minor corrections to it, and yeah, those corrections were all the depth of the episode ,made a huge difference.
I'm okay with the deaths of Sam and Dean at the end of S2 and S3 because the resurrections came with huge consequences.
YES! And intentionally or not, created a sort of line of "inevitability" that's interesting to follow, and ties everything together well. And accentuated the boy's tragic flaw, which is something along the lines of "their amazing, fucked up relationship", which we love. So I'm definitely on board with that.
I kinda liked that Show went as wild with the resurrections, at first, it seemed like a gutsy, partially-meta thing to do, and it worked really well, IMO. Thing is that now it's no longer gutsy or cheeky or fresh.
I very much agree, about heaven, but even assuming the Winchesters do know they're going to heaven (some people say they don't remember that, but they seemed to remember at least part of it when they came back...? Or was that just before their memory wipe?) they could still make it work, for example - I would probably get really emotionally involved in a plot about each of them personally desperately wanting to get to experience life before they die. SPN death is so much about staying static (though if they'll be together, perhaps they can at least work out their relationship over eternity...?) - Just getting to live before you die. Trying things, being things, being part of society perhaps (not so much on board with that, but I can go with it, see Trial and Error) - my point is, i isn't like for every human but it doesn't ruin the show, necessarily.
My main problem with it, as I keep if grumbling about, is that it makes them even more privileged - in a show that originally got its cred from being about poor outlaws. Ugh, I need to write up my rant about that.
And i wanna point out again that this is so the perfect solution for this season - Cas dies, we're all worried during hiatus , but being human and pure he goes to heaven, gets his grace back, kicks Metatron's ass, comes back as an angel. And yeah, it won't have that much of a punch, since we *know* Cas will be back, cause we know he was signed for most of the season, and we know he's too much of a fan favorite to be killed at this point without being back in some form...
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Interesting, and I did not know that! My memory is super fuzzy right now, but I do remember hearing something about how Kripke ran the writer's room versus how the other showrunners (I think Sera) ran it. Will try to find the source.
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I'd love to read/watch, if you find it :-)
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x1000!